Oriental spiritual painting is a form of artistic expression created by Mr. Wu. The painting style is spiritual and spiritual. With a unique perspective and artistic language, it presents the birth of the universe, the origin of life, and the current awareness and perception of each life. It explores the subtle relationship between all things in the universe and human beings, thereby inducing viewers to return to their innermost thoughts, and is unique in exploring contemporary spiritual aesthetics.·
It is not only the pursuit of "vivid charm" and the spirit of Eastern culture, but also Mr. Wu's expression of spirituality and in-depth reflection on the ultimate existence of life. As Kant said: "The one who is above me is the brilliant starry sky; the moral law is in my heart." .”
Western art forms and Eastern cultural consciousness
Mr. Wu uses Western painting art forms to express Eastern thought, culture and consciousness. Just as Jung used Western philosophical systems (logic) and language to interpret the Eastern Taoist classic "Taiyi Essence Record", this exploration is based on the integration of Eastern and Western artistic philosophical views. Before Jung, few Western thinkers explained Eastern philosophy clearly. Jung was the first person to integrate Eastern and Western thoughts. This is also the core purpose of Dongfang Linghua - to use oil painting art that Westerners can understand to present Eastern cultural philosophy and artistic aesthetics. In this regard, Mr. Wu is the first artist to use Western ways of thinking and artistic painting language to express and present the traditional Eastern thought and culture. Each stroke, every color, and every shape presents the speculation and beauty of the Eastern traditional culture. .
Tao follows nature, nature and man are one
Mr. Wu's paintings are deeply influenced by the thoughts of Lao and Zhuang, emphasizing that Tao follows nature and the unity of nature and man. He blends into nature, coexists with all things, shares the melody of life, is self-conscious as an artist, and uses Western oil paint to express the essence of Eastern culture. Mr. Wu believes that painting is one, and one is painting. One is used to enter the mind, the mind is absorbed into the soul, and the painting is used to present the appearance; for example, to draw a stone, one needs to understand its essence and realize its aura. His view of painting originates from Zhuangzi's "On the Equality of Things", "All things and words in the world can be viewed uniformly, there is no need to argue, just abide by the Tao.", as well as Wang Yangming's thought of "investigating things to gain knowledge". Understand the origin of all things, feel the beauty of spirituality, and use oil paint to present the beauty of agility.
Observation of movement and stillness, vivid charm
Mr. Wu's oriental spiritual paintings are rooted in the long-standing traditional oriental cultural philosophy, which emphasizes "the observation of movement and stillness" and "vivid charm". The movement and stillness of things are relative, movement is stillness, and stillness is movement, just as "Tao gives birth to one, and gives rise to two" ("Tao Te Ching"), two is yin and yang (heaven and earth), "the sky is clear and the earth is turbid, the sky is moving and the earth is quiet" ("Qing Jing Jing"). Mr. Wu uses artistic pictures to present, allowing people to see the source of movement and flowing energy from static pictures, allowing movement and stillness to blend in the picture, showing the aesthetic concept of "equal viewing of movement and stillness".
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